{"id":285,"date":"2019-06-15T08:33:29","date_gmt":"2019-06-15T06:33:29","guid":{"rendered":"http:\/\/www.musique-pmf.fr\/?page_id=285"},"modified":"2024-11-14T10:03:08","modified_gmt":"2024-11-14T09:03:08","slug":"le-programme-complementaire-2019-2020","status":"publish","type":"page","link":"https:\/\/www.musique-pmf.fr\/index.php\/le-programme-complementaire-2019-2020\/","title":{"rendered":"Le programme compl\u00e9mentaire 2024-2025"},"content":{"rendered":"\n<p class=\"has-white-color has-text-color has-background\" style=\"background-color:#ff0008\">Le programme limitatif en classe de terminale, en enseignement de sp\u00e9cialit\u00e9<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cello Concerto in A major, Wq. 172: III. Allegro assai\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/1Sp7rOF62wk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Keyboard Concerto in A Major, Wq. 29, H. 437: III. Allegro assai\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/uwafH6gqj4c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Flute Concerto in A Major, Wq. 168: III. Allegro assai\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/FssQDrzw3wA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Carl Philipp Emanuel BACH<\/strong> (1714-1788), <em>Concerto pour violoncelle<\/em>,  en<em> La<\/em> Majeur, Wq 172, 3\u00e8me MVT, <em>Allegro assai<\/em>.<\/li>\n\n\n\n<li><strong>Robert SCHUMANN<\/strong> (1810-1856),&nbsp;<em>Carnaval<\/em>&nbsp;(extraits)&nbsp;: <em>Pr\u00e9ambule<\/em>, <em>Pierrot<\/em>, <em>Arlequin<\/em>, <em>Valse noble<\/em>, <em>Eusebius<\/em>, <em>Florestan<\/em>, <em>Papillons<\/em>, <em>ASCH-SCHA (Lettres dansantes)<\/em>, <em>Chiarina<\/em>, <em>Chopin<\/em>, <em>Estrella<\/em>, <em>Intermezzo : Paganini<\/em>, <em>Marche des Davidsb\u00fcndler contre les Philistins<\/em>.<\/li>\n\n\n\n<li><strong>Jazzrausch Bigband<\/strong>, album&nbsp;<em>Dancing Wittgenstein<\/em>, 2018.<\/li>\n\n\n\n<li><strong>Jeff Mills, Orchestre national d&#8217;\u00cele-de-France,&nbsp;<\/strong><em>Light From The Outside World<\/em>, concert enregistr\u00e9 \u00e0 la Salle Pleyel le 23 septembre 2012.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"566\" height=\"724\" src=\"https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/robert_clara_schumann.jpg\" alt=\"\" class=\"wp-image-510\" style=\"width:566px;height:724px\" srcset=\"https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/robert_clara_schumann.jpg 566w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/robert_clara_schumann-235x300.jpg 235w\" sizes=\"auto, (max-width: 566px) 100vw, 566px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"580\" src=\"https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/1200x680_jazzrausch-bigband-2022-c-sebastian-reiter-1024x580.jpg\" alt=\"\" class=\"wp-image-511\" srcset=\"https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/1200x680_jazzrausch-bigband-2022-c-sebastian-reiter-1024x580.jpg 1024w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/1200x680_jazzrausch-bigband-2022-c-sebastian-reiter-300x170.jpg 300w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/1200x680_jazzrausch-bigband-2022-c-sebastian-reiter-768x435.jpg 768w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/1200x680_jazzrausch-bigband-2022-c-sebastian-reiter.jpg 1200w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Jazzrausch Bigband \u2013 Dancing Wittgenstein | Sofar NYC\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/3PmBzsztubM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/jeff-mills-un-touche-a-tout-creatif-photo-joao-messias-1492593356-1024x683.jpg\" alt=\"\" class=\"wp-image-512\" srcset=\"https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/jeff-mills-un-touche-a-tout-creatif-photo-joao-messias-1492593356-1024x683.jpg 1024w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/jeff-mills-un-touche-a-tout-creatif-photo-joao-messias-1492593356-300x200.jpg 300w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/jeff-mills-un-touche-a-tout-creatif-photo-joao-messias-1492593356-768x512.jpg 768w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/jeff-mills-un-touche-a-tout-creatif-photo-joao-messias-1492593356-1536x1024.jpg 1536w, https:\/\/www.musique-pmf.fr\/wp-content\/uploads\/2023\/07\/jeff-mills-un-touche-a-tout-creatif-photo-joao-messias-1492593356.jpg 1600w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Le programme limitatif en classe de terminale, en enseignement de sp\u00e9cialit\u00e9<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-285","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/pages\/285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/comments?post=285"}],"version-history":[{"count":20,"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/pages\/285\/revisions"}],"predecessor-version":[{"id":634,"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/pages\/285\/revisions\/634"}],"wp:attachment":[{"href":"https:\/\/www.musique-pmf.fr\/index.php\/wp-json\/wp\/v2\/media?parent=285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}